NYPD Red

NYPD Red

FADE IN:
INT. KITCHEN—REGENCY HOTEL, NEW YORK CITY—DAY

It’s the height of the breakfast rush at the Regency’s
world-famous You-Can-Kiss-Our-Ass-If-You’re-Not-Rich-and-
Powerful dining room. THE CHAMELEON slips quietly
into the busy kitchen. His sandy hair is now dark,
his skin copper. He blends right in, just another nameless
Puerto Rican in a busboy uniform. He goes totally
unnoticed.

THE CHAMELEON HAD stared at those words in his script hundreds of times. This morning they were coming to life. His movie was finally in production. “And action,” he whispered as he entered the Regency kitchen through a rear door.

He did not go unnoticed.

“You!” one of the black-tied, white-jacketed waiters yelled. “Get out there and top off the coffee cups at table twelve.”

Not exactly what he’d scripted, but so much better than he could have hoped for. Like most New York actors, The Chameleon knew his way around a restaurant kitchen. He filled one chrome carafe with regular coffee, another with decaf, and pushed through the swinging door into the dining room.

The cast of characters was even better than he had expected too. Today was the start of Hollywood on the Hudson week, the city’s all-out push to steal more film production business from LA. So in addition to the usual East Coast power brokers, the room was chock-full of Hollywood assholes chewing on multimillion-dollar deals and hundred-dollar breakfasts. And there, holding court at table twelve, was none other than Sid Roth.

If you could go to prison for destroying careers, families, and souls, Sid Roth would be serving a string of consecutive life sentences. But in the movie biz, being a heartless prick was a plus if it translated into the bottom line, and over the past three decades Roth had turned Mesa Films from a mom-and-pop shop into a mega-studio. The man was God, and the four other guys at the table were happily basking in His aura.

The Chameleon began pouring coffee when Roth, who was regaling his tablemates with a Hollywood war story, put a hand over his cup and said, “Get me another tomato juice, will you?”

“Yes, sir,” The Chameleon said. One tomato juice and a featured cameo coming up for Mr. Roth.

He was back in less than three minutes with Roth’s juice. “Muchas gracias, amigo,” Roth said, and he emptied the glass without giving his waiter a second look.

And vaya con Dios to you. The Chameleon went back to the kitchen and disappeared through the rear door. He had ten minutes for a costume change.

The men’s room in the lobby of the hotel was posh and private. Cloth hand towels, floor-to-ceiling walnut doors on each stall, and, of course, no surveillance cameras.

Half a dozen Neutrogena makeup-removing wipes later, he went from swarthy Latino to baby-faced white boy. He traded the waiter’s outfit for a pair of khakis and a pale blue polo.

He headed back to the lobby and positioned himself at a bank of house phones where he could watch the rest of the scene unfold. It was out of his hands now. He only hoped it would play out half as exciting as writ.

Reprinted from the book NYPD Red by James Patterson. Copyright © 2012 by James Patterson.
Reprinted with permission of Little, Brown and Company, New York, N.Y. All rights reserved.