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Douglas Preston

Douglas Preston Interview

Wyman Ford is featured in Impact, as he was in your last solo book Blasphemy -do you think you’ll continue writing about him, or might your focus turn back to the Broadbents, or to entirely new characters?
DP: I’m working on another Wyman Ford idea. I rather like him. I conceived him as a short, walk-on part in Tyrannosaur Canyon, someone who would be in just a few scenes and that’s it. But he hijacked the story, so to speak, and ended up being one of the key players. And now he won’t go away. He will be involved in another unusual investigation.. On the other hand, I have no doubt the Broadbents will also star in a future novel So keep tuned.

A scary substance called “strange matter” plays a key role in your plot. Is it real, or did you make it up?
DP: It’s real. The physicist Frank Wilczek, who won a Nobel Prize in 2004 for his research into quarks, has worked extensively on the theoretical properties of strange matter (also called quark matter). Some years ago in an article in Scientific American he warned that there might be a slight probability of a powerful particle accelerator creating a strangelet or bit of strange matter that might get stuck in the earth and eventually destroy it.

Your novel starts out jumping between widely-scattered characters who seem as if they could have no connection. Then all the pieces snap neatly together. Do you usually write starting from an outline, or did the connections emerge as you went along?
DP: I work from a general outline. Usually I know where I’m starting, and I know where I’d like to end up, but the journey itself is shrouded in mystery. Writing should be an adventure, not a painting by numbers, and so I avoid starting out with a too-detailed outline. In the case of IMPACT, I knew from the beginning that the two plotlines would converge in some way. The specifics only came to me as I wrote the book.

There was a lively debate going on our club's website between club members who felt that Blasphemy was offensive to Christians and those who considered it more on the satirical side. Do you think that Impact will get that same kind of response?
DP: Not at all. IMPACT doesn’t delve into questions of religion. There is nothing, I hope, offensive in the book to anyone. It is just a story about two girls who go meteorite hunting after they witness a fall, hoping to sell it on eBay… and find something beyond imagining. To those who thought Blasphemy was offensive to Christians: I might just point out that the hero of that novel, Wyman Ford, is a devout Catholic who spent several years in a Benedictine monastery. The so-called ‘Christians’ in Blasphemy are anything but. Yes, the novel is satirical but it also contains a serious message. The real blasphemy (as I express in the novel) are those who claim with certainty to know the mind of God and who proceed to inform the rest of us exactly what He thinks.

Two Graves

6:00 PM

The woman with the violet eyes walked slowly beneath the trees of Central Park, hands deep in the pockets of her trench coat. Her older brother walked beside her, his restless eyes taking in everything.

“What time is it?” she asked, yet again.

“Six o’clock precisely.”

It was a mild evening in mid-November, and the dying sun threw dappled shadows over the sweeping lawn. They crossed East Drive, passed the statue of Hans Christian Andersen, and ascended a slight rise. And then—as if possessed by the same thought—they stopped. Ahead, across the placid surface of Conservatory Water, stood the Kerbs Memorial Boathouse, toy-like, framed against the vast ramparts of the buildings lining Fifth Avenue. It was a scene from a picture postcard: the small lake reflecting the blood-orange sky, the little model yachts cutting through the still water to the appreciative cries of children. In the gap between two skyscrapers, a full moon was just appearing.

Her throat felt tight and dry, and the necklace of freshwater pearls felt constricting around her throat. “Judson,” she said, “I’m not sure I can do this.”

She felt his brotherly grip on her arm tighten reassuringly. “It’ll be okay.”

She glanced around at the tableau spread before her, heart beating fast. A violinist was sawing away on the parapet before the lake. A young couple sat on one of the boathouse benches, oblivious to everything but each other’s company. On the next bench, a short-haired man with a bodybuilder’s physique read the Wall Street Journal. Commuters and joggers passed by in small streams. In the shadow of the boathouse itself, a homeless man was settling down for the night.

And there he stood before the lake—a slender figure, motionless, dressed in a long pale coat of exquisite cut, blond-white hair burnished platinum by the dying light.

The woman drew in a sharp breath.

“Go ahead,” Judson said in a low voice. “I’ll be close by.” He released her arm.

As the woman stepped forward, her surroundings vanished, her entire attention focused on the man who watched her approach. Thousands of times she had imagined this moment, spun it out in her mind in all its many variants, always ending with the bitter thought that it could never happen; that it would remain only a dream. And yet here he was. He looked older, but not by much: his alabaster skin, his fine patrician features, his glittering eyes that held her own so intently, awakened a storm of feeling and memory and—even at this time of extreme danger—desire.

She stopped a few feet from him.

“Is it really you?” he asked, his courtly southern drawl freighted with emotion.

She tried to smile. “I’m sorry, Aloysius. So very sorry.”

This is an excerpt from TWO GRAVES by Douglas Preston and Lincoln Child. Copyright © 2012 by Splendide Mendax, Inc. and Lincoln Child. Reprinted by permission of Grand Central Publishing. All rights reserved.

Douglas Preston Interview

Wyman Ford is featured in Impact, as he was in your last solo book Blasphemy -do you think you’ll continue writing about him, or might your focus turn back to the Broadbents, or to entirely new characters?
DP: I’m working on another Wyman Ford idea. I rather like him. I conceived him as a short, walk-on part in Tyrannosaur Canyon, someone who would be in just a few scenes and that’s it. But he hijacked the story, so to speak, and ended up being one of the key players. And now he won’t go away. He will be involved in another unusual investigation.. On the other hand, I have no doubt the Broadbents will also star in a future novel So keep tuned.

A scary substance called “strange matter” plays a key role in your plot. Is it real, or did you make it up?
DP: It’s real. The physicist Frank Wilczek, who won a Nobel Prize in 2004 for his research into quarks, has worked extensively on the theoretical properties of strange matter (also called quark matter). Some years ago in an article in Scientific American he warned that there might be a slight probability of a powerful particle accelerator creating a strangelet or bit of strange matter that might get stuck in the earth and eventually destroy it.

Your novel starts out jumping between widely-scattered characters who seem as if they could have no connection. Then all the pieces snap neatly together. Do you usually write starting from an outline, or did the connections emerge as you went along?
DP: I work from a general outline. Usually I know where I’m starting, and I know where I’d like to end up, but the journey itself is shrouded in mystery. Writing should be an adventure, not a painting by numbers, and so I avoid starting out with a too-detailed outline. In the case of IMPACT, I knew from the beginning that the two plotlines would converge in some way. The specifics only came to me as I wrote the book.

There was a lively debate going on our club's website between club members who felt that Blasphemy was offensive to Christians and those who considered it more on the satirical side. Do you think that Impact will get that same kind of response?
DP: Not at all. IMPACT doesn’t delve into questions of religion. There is nothing, I hope, offensive in the book to anyone. It is just a story about two girls who go meteorite hunting after they witness a fall, hoping to sell it on eBay… and find something beyond imagining. To those who thought Blasphemy was offensive to Christians: I might just point out that the hero of that novel, Wyman Ford, is a devout Catholic who spent several years in a Benedictine monastery. The so-called ‘Christians’ in Blasphemy are anything but. Yes, the novel is satirical but it also contains a serious message. The real blasphemy (as I express in the novel) are those who claim with certainty to know the mind of God and who proceed to inform the rest of us exactly what He thinks.

Gideon's Corpse

Gideon Crew stood at the window of the conference room, looking out over the former Meatpacking District of Manhattan. His gaze followed the tarred roofs of the old buildings, now hip boutiques and trendy restaurants; moved past the new High Line park thick with people; past the rotting piers; and came to rest on the broad expanse of the Hudson River. In the hazy sun of early summer, the river for a change looked like real water, the surface a mass of blue moving upstream with the incoming tide.

The Hudson reminded him of other rivers he had known, and streams and creeks, and his thoughts lingered on one stream in particular, high in the Jemez Mountains. He thought about a deep pool in it and the large cutthroat trout he was sure lurked in its dappled depths.

He couldn’t wait to get the hell out of there, out of New York City, away from that withered gnome named Glinn and his mysterious company, Effective Engineering Solutions.

“I’m going fishing,” he said.

Glinn shifted in his wheelchair and sighed. Gideon turned. The man’s crippled hand appeared from under the blanket that was shrouding his knees. It contained a brown-paper package. “Your payment.”

Gideon hesitated. “You’re paying me? After what I did?”

“The fact is, based on what you’ve told me, our payment structure has changed.” Glinn opened the package, counted out several banded bricks of hundreds, and laid them on the table in the conference room.

“Here is half of the hundred thousand.”

Gideon snatched it up before Glinn could change his mind.

Then, to his surprise, Glinn handed him the other half. “And here’s the rest. Not as payment for services rendered, however. More in the way of, shall we say, an advance.”

Gideon stuffed the money into his jacket pockets. “An advance on what?”

“Before you leave town,” Glinn said, “I thought you might like to drop in on an old friend of yours.”

“Thanks, but I’ve got a date with a cutthroat trout in Chihuahueños Creek.”

“Ah, but I was so hoping you’d have time to see your friend.”

“I don’t have any friends. And if I did, I sure as hell wouldn’t be interested in ‘dropping in’ on them right now. As you so kindly pointed out, I’m living on borrowed time.”

“Reed Chalker is his name. I believe you worked with him?”

“We worked in the same Tech Area—that’s not the same as working with him. I haven’t seen the guy around Los Alamos in months.”

“Well, you’re about to see him now. The authorities are hoping you could have a little chat with him.”

“The authorities? A chat? What the hell’s this about?”

“At this moment, Chalker’s got a hostage. Four of them, actually. A family in Queens. Held at gunpoint.”

Gideon laughed. “Chalker? No way. The guy I knew was a typical Los Alamos geek, straight as an arrow, wouldn’t hurt a fly.”

This is an excerpt from GIDEON’S CORPSE by Douglas Preston & Lincoln Child. Copyright © 2012 by Splendide Mendax, Inc. and Lincoln Child. Reprinted by permission of Grande Central Publishing. All rights reserved.

 

Douglas Preston Interview

Wyman Ford is featured in Impact, as he was in your last solo book Blasphemy -do you think you’ll continue writing about him, or might your focus turn back to the Broadbents, or to entirely new characters?
DP: I’m working on another Wyman Ford idea. I rather like him. I conceived him as a short, walk-on part in Tyrannosaur Canyon, someone who would be in just a few scenes and that’s it. But he hijacked the story, so to speak, and ended up being one of the key players. And now he won’t go away. He will be involved in another unusual investigation.. On the other hand, I have no doubt the Broadbents will also star in a future novel So keep tuned.

A scary substance called “strange matter” plays a key role in your plot. Is it real, or did you make it up?
DP: It’s real. The physicist Frank Wilczek, who won a Nobel Prize in 2004 for his research into quarks, has worked extensively on the theoretical properties of strange matter (also called quark matter). Some years ago in an article in Scientific American he warned that there might be a slight probability of a powerful particle accelerator creating a strangelet or bit of strange matter that might get stuck in the earth and eventually destroy it.

Your novel starts out jumping between widely-scattered characters who seem as if they could have no connection. Then all the pieces snap neatly together. Do you usually write starting from an outline, or did the connections emerge as you went along?
DP: I work from a general outline. Usually I know where I’m starting, and I know where I’d like to end up, but the journey itself is shrouded in mystery. Writing should be an adventure, not a painting by numbers, and so I avoid starting out with a too-detailed outline. In the case of IMPACT, I knew from the beginning that the two plotlines would converge in some way. The specifics only came to me as I wrote the book.

There was a lively debate going on our club's website between club members who felt that Blasphemy was offensive to Christians and those who considered it more on the satirical side. Do you think that Impact will get that same kind of response?
DP: Not at all. IMPACT doesn’t delve into questions of religion. There is nothing, I hope, offensive in the book to anyone. It is just a story about two girls who go meteorite hunting after they witness a fall, hoping to sell it on eBay… and find something beyond imagining. To those who thought Blasphemy was offensive to Christians: I might just point out that the hero of that novel, Wyman Ford, is a devout Catholic who spent several years in a Benedictine monastery. The so-called ‘Christians’ in Blasphemy are anything but. Yes, the novel is satirical but it also contains a serious message. The real blasphemy (as I express in the novel) are those who claim with certainty to know the mind of God and who proceed to inform the rest of us exactly what He thinks.

Gideon's Sword

August 1988

Nothing in his twelve years of life had prepared Gideon Crew for that day. Every insignificant detail, every trivial gesture, every sound and smell, became frozen as if in a block of glass, unchanging and permanent, ready to be examined at will.

His mother was driving him home from his tennis lesson in
their Plymouth station wagon. It was a hot day, well up in the nineties, the kind where clothes stick to one’s skin and sunlight has the texture of flypaper. Gideon had turned the dashboard vents onto his face, enjoying the rush of cold air. They were driving on Route 27, passing the long cement wall enclosing Arlington National Cemetery, when two motorcycle cops intercepted their car, one pulling ahead, the other staying behind, sirens wailing, red lights turning. The one in front motioned with a black-gloved hand toward the Columbia Pike exit ramp; once on the ramp, he signaled for Gideon’s mother to pull over. There was none of the slow deliberation of a routine traffic stop—instead, both officers hopped off their motorcycles and came running up.

“Follow us,” said one, leaning in the window. “Now.”

“What’s this all about?” Gideon’s mother asked.

“National security emergency. Keep up—we’ll be driving fast
and clearing traffic.”

“I don’t understand—”

But they were already running back to their motorcycles.

Sirens blaring, the officers escorted them down Columbia
Pike to George Mason Drive, forcing cars aside as they went. They were joined by more motorcycles, squad cars, and finally an ambulance: a motorcade that screamed through the traffic-laden streets. Gideon didn’t know whether to be thrilled or scared. Once they turned onto Arlington Boulevard, he could guess where they were going: Arlington Hall Station, where his father worked for INSCOM, the United States Army Intelligence and Security Command.

Police barricades were up over the entrance to the complex,
but they were flung aside as the motorcade pulled through. They went shrieking down Ceremonial Drive and came to a halt at a second set of barricades, beside a welter of fire trucks, police cars, and SWAT vans. Gideon could see his father’s building through the trees, the stately white pillars and brick façade set among emerald lawns and manicured oaks. It had once been a girls’ finishing
school and still looked it. A large area in front had been
cleared. He could see two sharpshooters lying on the lawn, behind a low hummock, rifles deployed on bipods.

His mother turned to him and said, fiercely, “Stay in the car. Don’t get out, no matter what.” Her face was gray and strained, and it scared him.

This is an excerpt from GIDEON’S SWORD by Douglas Preston & Lincoln Child. Copyright © 2011 by Splendide Mendax, Inc. and Lincoln Child. Reprinted by permission of Grand Central Publishing, New York, NY. All rights reserved.

 

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