Shadow of Night

We arrived in an undignified heap of witch and vampire. Matthew was underneath me, his long limbs bent into an uncharacteristically awkward position. A large book was squashed between us, and the force of our landing sent the small silver figurine clutched in my hand sailing across the floor.
“Are we in the right place?” My eyes were screwed shut in case we were still in Sarah’s hop barn in twenty-first-century New York, and not in sixteenth-century Oxfordshire. Even so, the unfamiliar scents told me I was not in my own time or place. Among them was something grassy and sweet, along with a waxen smell that reminded me of summer. There was a tang of wood smoke, too, and I heard the crackle of a fire.
“Open your eyes, Diana, and see for yourself.” A feather-light touch of cool lips brushed my cheek, followed by a soft chuckle. Eyes the color of a stormy sea looked into mine from a face so pale it could only belong to a vampire. Matthew’s hands traveled from neck to shoulders. “Are you all right?”
After journeying so far into Matthew’s past, my body felt as though it might come apart with a puff of wind. I hadn’t felt anything like it after our brief timewalking sessions at my aunts’ house.
“I’m fine. What about you?” I kept my attention fixed on Matthew rather than daring a look around.
“Relieved to be home.” Matthew’s head fell back on the wooden floorboards with a gentle thunk, releasing more of the summery aroma from the rushes and lavender scattered there. Even in 1590 the Old Lodge was familiar to him.
My eyes adjusted to the dim light. A substantial bed, a small table, narrow benches, and a single chair came into focus. Through the carved uprights supporting the bed’s canopy, I spied a doorway that connected this chamber to another room. Light spilled from it onto the coverlet and fl oor, forming a misshapen golden rectangle. The room’s walls had the same fi ne, linenfold paneling that I remembered from the few times I’d visited Matthew’s home in present-day Woodstock. Tipping my head back, I saw the ceiling—thickly plastered, coffered into squares, with a splashy red-andwhite Tudor rose picked out in gilt in each recess.
“The roses were obligatory when the house was built,” Matthew commented drily. “I can’t stand them. We’ll paint them all white at the fi rst opportunity.”
The gold-and-blue flames in a stand of candles flared in a sudden draft, illuminating the corner of a richly colored tapestry and the dark, glossy stitches that outlined a pattern of leaves and fruit on the pale counterpane. Modern textiles didn’t have that luster.
I smiled with sudden excitement. “I really did it. I didn’t mess it up or take us somewhere else, like Monticello or—”

From Shadow of Night By Deborah Harkness. Published by arrangement with Viking a member of Penguin Group (USA) Copyright © Deborah Harkness, 2012

A Discovery of Witches

Chapter 1

The leather-bound volume was nothing remarkable. To an ordinary historian,
it would have looked no different from hundreds of other manuscripts in Oxford’s Bodleian Library, ancient and worn. But I knew there was something odd about it from the moment I collected it.

Duke Humfrey’s Reading Room was deserted on this late-September afternoon, and requests for library materials were filled quickly now that the summer crush of visiting scholars was over and the madness of the fall term had not yet begun. Even so, I was surprised when Sean stopped me at the call desk.

“Dr. Bishop, your manuscripts are up,” he whispered, voice tinged with a touch of mischief. The front of his argyle sweater was streaked with the rusty traces of old leather bindings, and he brushed at it self-consciously. A lock of sandy hair tumbled over his forehead when he did.

“Thanks,” I said, flashing him a grateful smile. I was flagrantly disregarding the rules limiting the number of books a scholar could call in a single day. Sean, who’d shared many a drink with me in the pink-stuccoed pub across the street in our graduate-student days, had been filling my requests without complaint for more than a week. “And stop calling me Dr. Bishop. I always think you’re talking to someone else.”

He grinned back and slid the manuscripts—all containing fi ne examples of alchemical illustrations from the Bodleian’s collections—over his battered oak desk, each one tucked into a protective gray cardboard box. “Oh, there’s one more.” Sean disappeared into the cage for a moment and returned with a thick, quarto-size manuscript bound simply in mottled calfskin. He laid it on top of the pile and stooped to inspect it. The thin gold rims of his glasses sparked in the dim light provided by the old bronze reading lamp that was attached to a shelf. “This one’s not been called up for a while. I’ll make a note that it needs to be boxed after you return it.”

“Do you want me to remind you?”

“No. Already made a note here.” Sean tapped his head with his fingertips. “Your mind must be better organized than mine.” My smile widened. Sean looked at me shyly and tugged on the call slip, but it remained where it was, lodged between the cover and the first pages. “This one doesn’t want to let go,” he commented.

Muffled voices chattered in my ear, intruding on the familiar hush of the room.

“Did you hear that?” I looked around, puzzled by the strange sounds.

“What?” Sean replied, looking up from the manuscript.

Traces of gilt shone along its edges and caught my eye. But those faded touches of gold could not account for a faint, iridescent shimmer that seemed to be escaping from between the pages. I blinked.

Copyright © Deborah Harkness, 20011. All rights reserved.